Storyteller and Multi-Disciplinary Artist; Art, Writing, Level Design, Filmmaking, Painting, etc.
I make stuff I think is cool.
Select media that informed and inspired my own work:
Movies and Television
August in the Water
(1995, Gakuryū Ishii)
Watersmith
(1969, Will Hindle)
Ghost Dog: The Way of the Samurai
(1999, Jim Jarmusch)
Fallen Angels
(1995, Wong Kar-wai)
Mulholland Drive
(2001, David Lynch)
Donnie Darko (Directors Cut)
(2001, Richard Kelly)
28 Days Later
(2002, Danny Boyle)
The Ascent
(1977, Larisa Shepitko)
Run Lola Run
(1998, Tom Tykwer)
Strange Days
(1995, Kathryn Bigelow)
Twin Peaks
(1990-1991, David Lynch and Mark Frost)
Aeon Flux
(1991-1995, Peter Chung)
The Maxx
(1995, Sam Keith)
Video Games
Disco Elysium
(2019, ZA/UM Studios)
The Silver Case
(1999, Grasshopper Manufact.)
Frozen Soul [DG]
(2020, VerticalAscent)
Deus Ex
(2000, Ion Storm)
Flower, Sun, and Rain
(2001, Grasshopper Manufact.)
Pathologic
(2005, Ice-Pick Lodge)
Uru: Complete Chronicles
(2004, Cyan Worlds Inc)
Kentucky Route Zero
(2013, Cardboard Computer)
The Immortal Lock
(2024, Amelie C. Langlois)
Control
(2019, Remedy Entertainment)
King’s Field IV
(2002, FromSoftware)
Planescape: Torment
(1999, Black Isle Studios)
Half-Life
(1998, Valve)
E.Y.E: Divine Cybermancy
(2011, Streum On Studio)
Literature
The Wind-Up Bird Chronicle
(1994, Haruki Murakami)
By The Fire: Sami Folktales and Legends
(1922, Emilie Demant Hatt)
House of Leaves
(2000, Mark Z. Danielewski)
There is Power in a Union
(2010, Philip Dray)
Don Quixote
(1605, Miguel de Cervantes)
Tales of Mystery and Imagination
(1908, Edgar Allen Poe)
The Forge and the Crucible
(1956, Mircea Eliade)
The Vertical Ascent
(2021, Wolfgang Smith)
Music
The Works of Erik Satie
1866 - 1925
Dummy
(1994, Portishead)
Mezzanine
(1995, Massive Attack)
Blue Wonder Power Milk
(1998, Hooverphonic)
Vespertine
(2001, Björk)
Misery is a Butterfly
(2004, Blonde Redhead)
Version 2.0
(1998, Garbage)
Dots and Loops
(1997, Stereolab)
A New Stereophonic Sound Spectacular
(1997, Hooverphonic)
Accelerator
(1991, The Future Sound of London)